After the first silence, the sound arrives in the body, and something appears that annihilates the stillness to turn that body into dance and that silence into music. The accents of the light of an angel for Tarantos and of an axiom like the guitar that accompanies to strengthen the place from where it starts. A single guitar as the temple that accompanies a dogma, as a warm abode that opens an earthly dimension under the dance of Eduardo Guerrero, who transforms the origin into the atypical system of the flamenco archetype.