A magnificent production by Nuria Espert, in which Daniela Dessí plays Puccini’s heroine, with Fabio Armiliato as Cavaradossi and Ruggero Raimondi as the villainous Scarpia.
A newspaper once asked, in reference to Rinaldo, why anti-heroes were so fascinating to audiences. We might ask the same about Scarpia, who thrills opera fans the world over when he sings “Più forte! Più forte!” while he tortures Cavaradossi. Or when we hear Tosca sing beside his corpse, “E avanti a lui tremava tutta Roma!”, we feel she could have loved this villain had she not met her painter. But Tosca lives for art and love, so she tells Cavaradossi to give his painting of Mary Magdalene black eyes. She also wants the Virgin as witness when she kisses her lover. It’s hard to imagine a more assured tearjerker than in these scenes by Sardou, accompanied by the sweeping score of the great Giacomo Puccini.
Melodramma in three acts
Music by Giacomo Puccini (1858-1924)
Libretto by Luigi Illica and Giuseppe Giacosa, based on the theatre play La Tosca by Victorien Sardou
Premiered at the Teatro Costanzi, Rome, on January 14, 1900
Production of the Teatro Real in coproduction with the Asociación Bilbaína de Amigos de la Ópera
Principal Chorus and Orchestra of the Teatro Real
Artistic team
Conductor | Maurizio Benini
Stage director | Nuria Espert
Set designer | Ezio Frigerio
Costume designer | Franca Squarciapino
Lighting designer | Vinicio Cheli
Chorus master | Martin Merry
Cast
Floria Tosca | Daniela Dessì
Mario Cavaradossi | Fabio Armiliato
Baron Scarpia | Ruggero Raimondi
Cesare Angelotti | Marco Spotti
Sacristan | Miguel Sola
Spoletta | Emilio Sánchez
Sciarrone | Josep Miquel Ribot
Jailer | Francisco Santiago
Shepherd | Eliana Bayón