Accused of racism and antisemitism (although the latter was never proved), Walter Elias Disney (1901-1966) was the creator of the world’s largest animation studio, whose films have achieved universal fame. The creatures of the Disney factory are animals which are systematically anthropomorphised, their human dimension contributed decisively to the image of the anodyne 'American Dream' in the interwar period.
Philip Glass has composed 24 operas and is one of the creators of American minimalism, together with La Monte Young, Steve Reich and Terry Riley. Over time, he gradually distanced himself from this aesthetic in search of simpler writing and a less complex form. The pulsing music of Glass, with its strong and insistent rhythms, has obvious correlations to rock and pop. Not surprisingly, the composer from Baltimore often works with artists like Paul Simon, Suzanne Vega or Laurie Anderson.
The encounter between Glass and Disney seemed inevitable: both are American creators who represent the best of their respective aesthetics.
Opera in two acts
Music by Philip Glass (1937)
Libretto by Rudy Wurlitzer, based on the novel Der König von Amerika by Peter Stephan Jungk
World premiere, commissioned by the Teatro Real and the English National Opera, London
Principal Chorus and Orchestra of the Teatro Real
Artistic team
Conductor | Dennis Russell Davies
Stage director | Phelim McDermott
Set and costume designer | Dan Potra
Lighting designer | Jon Clark
Choreographer | Ben Wright
Video | Leo Warner (59 Productions)
Chorus master | Andrés Máspero
Cast
Walt Disney | Christopher Purves
Roy Disney | David Pittsinger
Dantine | Donald Kaasch
Hazel George | Janis Kelly
Lillian Disney | Marie McLaughlin
Sharon | Sarah Tynan
Diane | Nazan Fikret
Lucy / Josh | Rosie Lomas
Abraham Lincoln / Funeral home employee | Zachary James
Andy Warhol | John Easterlin
Chuck / A doctor | Juan Noval-Moro
A secretary | Beatriz de Gálvez
A nurse | Noelia Buñuel
Actors | The Improbable Skills Ensemble